Art, Architecture and Design
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Fashion Merchandising: Principles and Practice
London College of Fashion
For An Open Campus
Central Saint Martins
New Independent Indian Cinema: Disciplinary Evolution and Cinematic Revolution
Queen Mary, University of London
Teaching and learning strategies for Violin
Royal College of Music
Musica Mundi
Royal College of Music
The ephemeral element of performance
Central Saint MartinsFeatured this week
Kantor after Duchamp
Goldsmiths University of London
It Sees (Notes Toward a Cultural History of Financial Vision)
Goldsmiths, University of London
New Independent Indian Cinema: Disciplinary Evolution and Cinematic Revolution
Queen Mary, University of London
Sustaining an Emerging Korean Percussion Tradition
SOAS University of London
The Fair Songster
Goldsmiths, University of London
Ajami and the Paradox of Fiction
New York UniversityMost Popular
Parts and Labour
Slade School of Fine Art, University College London
Postcolonising the medieval image
University of Leeds
Wonders of the Plant Kingdom: A microcosm revealed
Central Saint Martins
Words and Buildings
The Bartlett, University College London
The Future of Industrial Design for a Global Mass Market
Royal College of Art
Forensic Architecture: Violence at the Threshold of Detectability
Goldsmiths, University of London
Dressed in Pattern
University of the Arts London
Human
Goldsmiths, University of London
72-82
London College of Communication
Reflecting on Kahlo: Mirrors, Masquerade and the Politics of Identification
University of the Arts London
Stephen Farthing on the function of drawing in society
University of the Arts London
Urban Intensities: Contemporary Housing Types and Territories
Harvard UniversityArchitecture
The Temporary City
The Bartlett, University College London
Approaches to Regeneration
The Bartlett, University College London
Concrete and Culture: A Material History
The Bartlett, University College London
Objects of Desire
The Bartlett, University College London
Words and Buildings
The Bartlett, University College London
Forensic Architecture: Violence at the Threshold of Detectability
Goldsmiths, University of LondonDesign
Objects of Desire
Objects of Desire looks at the appearance of consumer goods in the 200 years since the introduction of mechanized production, […]
The Future of Industrial Design for a Global Mass Market
Ashley Hall discusses ideas that relate to design practice and academic research exploring whether designers should seek to include cultural influences […]
GoGlobal: Design collaboration and e-commerce models in developing countries
Using previous case studies by the authors and a current live project, Ashley Hall considers whether the creative industries in […]
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Contemporary Art
For An Open Campus
Central Saint Martins
The ephemeral element of performance
Central Saint Martins
How to Be a Performance Artist
Central Saint Martins
Performance Art
Central Saint Martins
Reading as Art
Leeds Beckett University
Pigeon Reader
Leeds Beckett UniversityArt History
Robert Peel, John Doyle and Visual Parody
University of Nottingham
Migrating objects: John Henry Foley and empire
University of Nottingham
Parliament as theatre
University of Nottingham
The Art of Anglo-Saxon England
University of Leeds
Hoards, hoarders, and other broken things
University of Leeds
Postcolonising the medieval image
University of LeedsFilm Studies
For An Open Campus
Central Saint Martins
New Independent Indian Cinema: Disciplinary Evolution and Cinematic Revolution
Queen Mary, University of London
Ajami and the Paradox of Fiction
New York University
The Films of John Cassavetes
Boston University
Available Light
London College of Communication
