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Amputations and Convalescence

Emily Brink University of Western Australia

Drawing on the past: Palladio, his precursors and knowledge of ancient architecture

David Hemsoll University of Birmingham

Language, Sound, and Image in Wallace Berman’s Aleph, 1956–1966

Chelsea Behle Fralick University of San Diego

Maternity: Mothers and Children in the Arts of Africa

Herbert Cole University of California Santa Barbara

Say it Again! Saxon!: The Erotic Intimate Space of Reading

Marianne Noble American University

Snewíyalh tl’a Staḵw (Teachings of the Water)

T. Patrick Carrabré University of British Columbia

Gawkers: Art and Audience in Late Nineteenth-Century France

Bridget Alsdorf Princeton University

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Harold Arlen and His Songs

Walter M. Frisch Columbia University

First Lady of Laughs

Grace Overbeke Columbia College Chicago

Redface: Race, Performance, and Indigeneity

Bethany Hughes University of Michigan

Amputations and Convalescence

Emily Brink University of Western Australia

Drawing on the past: Palladio, his precursors and knowledge of ancient architecture

David Hemsoll University of Birmingham

Language, Sound, and Image in Wallace Berman’s Aleph, 1956–1966

Chelsea Behle Fralick University of San Diego

Maternity: Mothers and Children in the Arts of Africa

Herbert Cole University of California Santa Barbara

Wasps, and Gadflies: The Role of Insect Similes in Homer, Aristophanes, and Plato

John Harris University of Alberta

The Italian Renaissance Altarpiece

David Ekserdjian University of Leicester

Tasmania’s Museum of Old and New Art and the Intertextual Traces of English Romanticism

Paul Gladston UNSW Sydney

Osman Hamdi Bey’s At the Mosque Door and the Urgency of Painting

Gulru Cakmak University of Massachusetts at Amherst

The Other Side of Reality

Jane Callister University of California Santa Barbara

Romanticism and the German national discourse in Carl Alexander Simon

Miguel Gaete Caceres University of York

States of Australia’s Agri-Environment and Urban Agricultural Design

Joshua Zeunert UNSW Sydney

Say it Again! Saxon!: The Erotic Intimate Space of Reading

Marianne Noble American University

Snewíyalh tl’a Staḵw (Teachings of the Water)

T. Patrick Carrabré University of British Columbia

Can conducting be taught?

Luke Dollman University of Adelaide

The art of contested histories

Deborah Gare Murdoch University

Revisiting Apocalypse Now

Christine Bacareza Balance Cornell University

From Sicily to New York

Alessia Dalsant Bentley University

Female Subjectivities: the Words, Music, and Images of Progressive Metal

Lori Burns University of Ottawa

Gawkers: Art and Audience in Late Nineteenth-Century France

Bridget Alsdorf Princeton University

What the Emperor Built

Aurelia Campbell Boston College

Beatrice de Roos and the Making of Art

Sarah Brown University of York

Inner Ear

Christine Beckett Concordia University

Dancing Odissi: Paratopic Performances of Gender and State

Anurima Banerji University of California Los Angeles

Hebrew Psalms and the Utrecht Psalter

Pamela Berger Boston College

Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics

Charlotte Doesburg University of Oxford

Autumn Song: Essays on Absence

Patrice Gopo Independent Scholar

Rise Up! Indigenous Music in North America

Craig Harris Independent Scholar

Butterfly Nebula

Laura Reece Hogan St. John's Seminary in Camarillo

Women of the Windrush

Shirley J. Thompson University of Westminster

The Economy of Persistence: Mario the Tailor

Prudence Black University of Adelaide

Embouchure Muscle Activity in Student and Elite Trumpeters

Cardiff University

Sonic Sovereignty

University of California, Riverside
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