Facing melancholia: racial implications of the disengaged gaze

Ousden Hall Gardens

Truly, Madly, Deeply: Sharing Story on the Bundian Way

Recovering a ‘lost’ account

Asian Self-Representation at World’s Fairs

Aegean Bronze Age Art: Meaning in the Making

The First Modern Museums of Art

Two Decades of American Painting in Australia, 1967

Savage Tales: The Writings of Paul Gauguin

Hope and Healing

The Art of Armenia

Designing Energy Use in a Rural Setting

Robert Peel, John Doyle and Visual Parody

Migrating objects: John Henry Foley and empire

Parliament as theatre

The Art of Anglo-Saxon England

Hoards, hoarders, and other broken things

Postcolonising the medieval image

Temporarily Accessioned: Freud’s Coat Revisited

Reflecting on Kahlo: Mirrors, Masquerade and the Politics of Identification

Last Rites: From Frida Kahlo to Teresa Margolles, Mexicanness and Visualizing the Politics of Victimhood

The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists through the 1949 Crisis

Harvard New Literary History of Modern China

A Socialist Satire: Manhua Magazine and Political Cartoon Production in the PRC

West African sculpture, masquerade and textile history

Cosmopolitan Representations:

Queen Anne; Patroness of Arts

Chinese export art: mediation and hybridity

Receptacle of the Sacred

Leaves from Paradise

Art and Christianity

The Cargo of the New Year’s Gift: Paintings from London for Asia

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