Art

Popular

Amputations and Convalescence

Emily Brink University of Western Australia

Drawing on the past: Palladio, his precursors and knowledge of ancient architecture

David Hemsoll University of Birmingham

Language, Sound, and Image in Wallace Berman’s Aleph, 1956–1966

Chelsea Behle Fralick University of San Diego

Maternity: Mothers and Children in the Arts of Africa

Herbert Cole University of California Santa Barbara

Say it Again! Saxon!: The Erotic Intimate Space of Reading

Marianne Noble American University

Snewíyalh tl’a Staḵw (Teachings of the Water)

T. Patrick Carrabré University of British Columbia

Gawkers: Art and Audience in Late Nineteenth-Century France

Bridget Alsdorf Princeton University

Latest

It Sees (Notes Toward a Cultural History of Financial Vision)

Goldsmiths University of London

Reputation Addiction

Goldsmiths University of London

Mapping K-Pop Past and Present: Shifting the Modes of Exchange

SOAS University of London

Sustaining an Emerging Korean Percussion Tradition

SOAS University of London

Music as Intangible Cultural Heritage

SOAS University of London

The Art of Anglo-Saxon England

University of Leeds

Hoards, hoarders, and other broken things

University of Leeds

Postcolonising the medieval image

University of Leeds

What Has To Be Done

Camberwell Chelsea and Wimbledon Colleges

First and Last

Camberwell Chelsea and Wimbledon Colleges of Arts

Neurons and Other Memories

Central Saint Martins

Polarities of Practice

Central Saint Martins

Wonders of the Plant Kingdom: A microcosm revealed

Central Saint Martins

The Pigment Timeline

UCL Slade School of Fine Art

Dressed in Pattern

University of the Arts London

Arts for all: Arts as a space of inclusion

Goldsmiths University of London

Moving the body out of the frame

Goldsmiths University of London

Argument

Goldsmiths University of London

Human

Goldsmiths University of London

William Raban on Available Light

London College of Communication

72-82

London College of Communication

Temporarily Accessioned: Freud’s Coat Revisited

University of the Arts London

Music Matters: A Philosophy of Music Education

New York University

Reflecting on Kahlo: Mirrors, Masquerade and the Politics of Identification

University of the Arts London

Last Rites: From Frida Kahlo to Teresa Margolles, Mexicanness and Visualizing the Politics of Victimhood

University of the Arts London

Ding Yi: What’s Left to Appear

The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists through the 1949 Crisis

Harvard University

Harvard New Literary History of Modern China

Harvard University

The Elements Of Drawing

University of the Arts London

Stephen Farthing on the relationship between language, text and narrative

University of the Arts London

Stephen Farthing on the function of drawing in society

University of the Arts London

Memory in the Dead Zone

University of Greenwich

A Socialist Satire: Manhua Magazine and Political Cartoon Production in the PRC

Kings College London

The Laban-Malmgren System of Character Analysis – Vladimir Mirodan

West African sculpture, masquerade and textile history

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