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Film Studies

Vampires, Race, and Transnational Hollywoods

New York University
The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood […]
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For An Open Campus

Central Saint Martins
Shot over the months of October and November 2014 on the campus of Aichi University of the Arts in Japan, […]
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New Independent Indian Cinema: Disciplinary Evolution and Cinematic Revolution

Queen Mary, University of London
The rise of new independent Indian cinema is a widely acknowledged yet unfathomably understudied phenomenon. Ashvin Devasundaram discusses India’s New […]
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Ajami and the Paradox of Fiction

New York University
Filmmakers often use the element of surprise to direct actors for certain scenes to get authentic emotional responses. The directors […]
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The Films of John Cassavetes

Boston University
Raymond Carney, Boston University, is regarded as one of the world’s leading authorities on independent film and American literature. In […]
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William Raban on Available Light

London College of Communication
William Raban is one of the foremost British artists and experimental filmmakers of the last forty years, known primarily for […]
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Playing funny games in the last house on the left

University of Greenwich
Michael Fiddler discusses Criminology, the ‘reservoirs of dogma’ and ‘symbolic lagoons of social fears’ to locate the ‘home invasion’ film […]
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In the Space of a Song

Kings College London
Richard Dyer, Professor of Film Studies at Kings College London on n the Space of a Song, Routledge 2011
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Restless bodies, buried texts

University of Greenwich
Matilda Mroz, University of Greenwich Restless bodies, buried texts: Sikorski, The General, and the archive
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Cultural Memory and British Cinema-going of the 1960s

University College London
Remembering 1960s British Cinema-going (1 May 2017-30 April 2018) is a new project funded by the Arts & Humanities Research […]
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