Research news, analysis and insights

Vampires, Race, and Transnational Hollywoods

The figure of the vampire serves as both object and mode of analysis for more than a century…

The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victims’ blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises.

 

Total
0
Shares
Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Article

The Emancipatory Project of Posthumanism

Next Article

Little Birds and a Demon

Related Posts
Faculti is best experienced on Google Chrome, Microsoft Edge, Firefox and Safari browsers. Browser Support
error: Faculti Content is protected. Please check our Terms and Conditions