Vampires, Race, and Transnational Hollywoods

The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victims’ blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises.

 

Report Infringement

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Article

The Emancipatory Project of Posthumanism

Next Article

Little Birds and a Demon

×
As a Guest, you have insight(s) remaining for this month. Create a free account to view 300 more annually.
Related Posts
error:

Add the Faculti Web App to your Mobile or Desktop homescreen

Install
×