Art

The ephemeral element of performance

Central Saint Martins
Peter Bond concentrates on issues of documentation, trace, memory, around the following notions: Memory in the present, Recollection, Documentation as a […]
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How to Be a Performance Artist

Central Saint Martins
Peter Bond is an Artists and Researcher at Central Saint Martins College of Art and Design, The University of the […]
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Performance Art

Central Saint Martins
Presence, immediacy and participation lie at the forefront of some of the most influential art of the past fifty years, […]
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Reading as Art

Leeds Beckett University
Simon Morris examines the relationship between reading and art. He proposes a new method of making art via conceptualist performed […]
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Pigeon Reader

Leeds Beckett University
Inspired by Georges Perec’s musings on reading, which he likens to “a pigeon pecking at the ground in search of […]
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Do Or DIY

Leeds Beckett University
Mixing anecdote and advocacy, the title [co-authored with Craig Dworkin & Nick Thurston] offers an introduction to the concealed history […]
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Parts and Labour

Slade School of Fine Art, University College London
‘Parts & Labour’ was an experimental art project devised and curated by John Chilver (Goldsmiths, London) and Brighid Lowe (Slade […]
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Robert Peel, John Doyle and Visual Parody

University of Nottingham
For the last three hundred years British politics have been enlivened and illustrated by wonderful satirical prints and newspaper cartoons. […]
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Migrating objects: John Henry Foley and empire

University of Nottingham
Fintan Cullen considers the equestrian statue of a Raj military figure James Outram which was erected in central Calcutta in […]
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Parliament as theatre

University of Nottingham
Fintan Cullen examines a painting produced in Dublin in 1780 of the interior of the Irish House of Commons. Cullen […]
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