Art

Popular

Amputations and Convalescence

Emily Brink University of Western Australia

Drawing on the past: Palladio, his precursors and knowledge of ancient architecture

David Hemsoll University of Birmingham

Language, Sound, and Image in Wallace Berman’s Aleph, 1956–1966

Chelsea Behle Fralick University of San Diego

Maternity: Mothers and Children in the Arts of Africa

Herbert Cole University of California Santa Barbara

Say it Again! Saxon!: The Erotic Intimate Space of Reading

Marianne Noble American University

Snewíyalh tl’a Staḵw (Teachings of the Water)

T. Patrick Carrabré University of British Columbia

Gawkers: Art and Audience in Late Nineteenth-Century France

Bridget Alsdorf Princeton University

Latest

A private entrepreneur and his art museum

University of South Australia

Luxury Goods

Goldsmiths University of London

Never Really in Real Time

Goldsmiths University of London

Twentieth Century Music

Goldsmiths University of London

Improvisation as Research

Goldsmiths University of London

Objects and Ideas

Goldsmiths University of London

The Case for Informal Spaces in the Workplace

London College of Communication

Bee Stop

Central Saint Martins

Treeline

Central Saint Martins

Lesbian Cinema after Queer Theory

King's College London

Negotiated modernism: British suburbia between the wars

Royal College of Art

Dressing for the future: Speculative fashion in 1930s Hollywood

Royal College of Art

Visual Perception, Abstraction and Invention

Central Saint Martins

Connections between scholarship and practice in Visual Cultures

Goldsmiths University of London

Little Birds and a Demon

Goldsmiths University of London

The life and work of Augusta Holmès

Royal College of Music

Nigel Rolfe on Live Performance

Royal College of Art

Abstract, concrete and constructive

Kingston University

For An Open Campus

Central Saint Martins

Teaching and learning strategies for Violin

Royal College of Music

Musica Mundi

Royal College of Music

The ephemeral element of performance

Central Saint Martins

How to Be a Performance Artist

Central Saint Martins

Performance Art

Central Saint Martins

The Fair Songster

Goldsmiths University of London

Reading as Art

Leeds Beckett University

Pigeon Reader

Leeds Beckett University

Do Or DIY

Leeds Beckett University

Parts and Labour

Slade School of Fine Art University College London

Kantor after Duchamp

Goldsmiths University of London

The Theatre of Death – The Uncanny in Mimesis

Goldsmiths University of London

Robert Peel, John Doyle and Visual Parody

University of Nottingham

Migrating objects: John Henry Foley and empire

University of Nottingham

Parliament as theatre

University of Nottingham

It Sees (Notes Toward a Cultural History of Financial Vision)

Goldsmiths University of London
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