The Theatre of Death – The Uncanny in Mimesis

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Mischa Twitchin is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead?

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Image courtesy of interviewee

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