Kantor after Duchamp

The process of annexing reality, defined as a strategy and a method, has been Cricot 2’s ideological foundation since 1955. Twenty years after its final performances, how do the productions of the Cricot 2 company inform an understanding of theatre history today, not least concerning the differentiation between a documented past and a performed present?

Image courtesy of interviewee

Leave a Reply

Your email address will not be published.

×
You have insight(s) remaining for this month. Register for free and view thousands of insights in our archive today. Subscribe for unlimited access.
Copyright © Faculti Media Limited 2022. All rights reserved.
error:

Add the Faculti Web App to your Mobile or Desktop homescreen

Install
×