Research news, analysis and insights

Kantor after Duchamp

The process of annexing reality, defined as a strategy and a method, has been Cricot 2’s ideological foundation since 1955. Twenty years after its final performances, how do the productions of the Cricot 2 company inform an understanding of theatre history today, not least concerning the differentiation between a documented past and a performed present?

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous Article

The Theatre of Death – The Uncanny in Mimesis

Next Article

Media and the Experience of Social Change: The Arab World

You have free insight(s) remaining for this month.
Related Posts
error: Faculti Content is protected. Please check our Privacy Policy and Terms and Conditions.

Add the Faculti Web App to your Mobile or Desktop homescreen