Popular in Art


The Life and Music of George Jeffreys

Music and Musicians at the Collegiate Church of St Omer

Epiphanic Moments: Dancing Politics

Viral Landscapes

The Way Home

Chardin Material

Ewa Lajer-Burcharth explores the practice and, as she attests, self-reflexive work by the 18th-century French master of the still life, Jean-Baptiste-Simeon Chardin. Lajer-Burcharth, a Guggenheim fellow and professor of the history of art and architecture at Harvard University, delves into the implications of Chardin’s possessive and personalized approach to the process of painting, and asks why he abruptly stopped painting still lifes and began creating genre paintings

Image courtesy of interviewee

Leave a Reply

Your email address will not be published.

×
Guest visitors to the Faculti website can view any insight monthly. You have insight(s) remaining for this month

Register for free as an individual and view thousands of insights in our archive today or subscribe for subject access.

You may already have institutional access to Faculti. Please access Faculti using your institution credentials.

Copyright © Faculti Media Limited 2022. All rights reserved.
Recommend Faculti to your librarian

error: