Radiohead’s “Pyramid Song”: Ambiguity, Rhythm, and Participation

Cite Embed

Nathan Hesselink discusses how the confluence of ambiguity and rhythm in a pop/rock song creates a powerful force for audience participation, focusing on Radiohead’s “Pyramid Song” (2001) as a case study. Image courtesy of Nathan Hesselink.

Image courtesy of the interviewee

Report Infringement


Leave a Reply

Your email address will not be published. Required fields are marked *

Many colleges and universities have institutional memberships. If you are affiliated with a subscribing institution, please access Faculti through your on-campus or proxy IP address. Alternatively, as a Guest, you have insight(s) remaining for this month. Register for free and view thousands of insights in our archive today.
Related Posts

Add the Faculti Web App to your Mobile or Desktop homescreen